1997
makrolab | lecture 310897
the makrolab lecture in the 100 days program- 31.8.1997
VIDEO LINK - audio and video of the lecture - courtesy of Bundmedia
Good evening. The title of this
presentation, as you could
notice is: INSULATION/ISOLATION
PROCEEDINGS, proceedings which
are connected to the project
that me and my colleagues have
set up at this years documenta
and will also have the form of
proceedings, with some
technical terms included that I
will try to explain as well as
I could in if there will be any
inconsistencies. I’ll try to
skip the INSULTATION part, but
if anybody will be offended,
can register with me after the
lecture.
The name of the project is
MAKROLAB - Ladomir-faktura 3rd
surface and is the fourth
project in this cycle of works
and for now also the final one.
I won’t talk much about the
history of the project, let me
just say that up to now it was
materialized as a film, and two
performances, this, the fourth
consequent and third numbered
materialization was also meant
to encompass and upgrade all
previous levels.
The project was initialized as
a response to a poem written
by the Russian avant-garde
futurist writer Velimir
Hlebnikov, whose work is very
important for the understanding
of the initial motives of why
the project was set up, for the
understanding of the project’s
background and I will keep
mentioning him during the
evening. The title of this
particular poem is LADOMIR,
and it is a very complex and
dense verbal artwork, full of
metaphors, metonymies and
dreamlike visions. The title
LADOMIR, designates the
universal land of the future,
and is constructed by a method
dating back to Old Russian. It
consists of two roots - LAD -
which means harmony and living
creature and MIR - which means
peace, world, universe and both
these parts are conjoined by
the vowel O, for which
Hlebnikov has devised the
meaning of THE LETTER THAT
INCREASES SIZE. I won’t go much
into the hlebnikovian theory of
language, since the field is
very vast and at this stage not
so important for the
understanding of what MAKROLAB
is, but just as a sidenote,
let’s look at the eight letters
of the word MAKROLAB and
analyze them in the
hlebnikovian manner. M
contains within it the
disintegration of a whole into
parts, A is against, K is the
conversion of a force of
movement into a force of
enduring stasis (from rush to
rest) R is unruly movement,
insubordinate to the whole, O
increases size, L is the
uncontrolled movement of a
great force of freedom, A is
against B is growth into
something greater, the greatest
point of the force of motion.
So without letters we get
something that contains within
it the disintegration of a
whole into parts and is against
the conversion of a force of
movement into a force of
enduring stasis (from rush to
rest) which is unruly movement,
insubordinate to the whole, but
increases size and is the
uncontrolled movement of a
great force of freedom against
a growth into something
greater, the greatest point of
the force of motion. You can
decide for yourself what this
means to you, and you should
note that it applies mostly to
Russian and Slavic languages,
but hlebnikovs, we could call
it psycho-material theory of
language gives to the abstract
qualities of language a very
material consequence and
quality, which is in turn a
process that MAKROLAB was
designed to do as a machine: to
transform abstract and
intangible qualities and
properties present in the
world, such as radio waves,
atmospheric events or psychic
movements into material, three
dimensional structures,
documents, objects through a
de-abstractization process or
if you want a process of
materialisation. I will later
specifically show what
strategies and methods are
used to achieve this on the
example of the communications
field, which has by now been
the part of the project on
which we have put the most
emphasis.
The creative processes of our
LADOMIR-faktura researches
link many different interests
in an integral work of art,
evolving in time as well as in
space through what I called,
after Hlebnikov in his poem
Zangezi and elsewhere surfaces
or planes. Within LADOMIR
research in acoustics,
atmosphere, communications,
dreams, inner life,
linguistics, low energy
systems, psycho acoustics,
solar power systems, social
evolution systems and
strategies, wind power systems,
weather and war strategies is
planned and some of it was
already conducted. But let’s
now return for a moment to the
poem.
Hlebnikov’s principal
preoccupation in the LADOMIR
poem is the destruction of the
old order and synthesis of the
new. The structure of the poem
is holographic, antiphonal,
stark coruscation in full
voice. Temporal relations are
shattered, events are displayed
as quick, disordered, multi-
layered cross-sections of time.
Verb tenses seem distorted.
Past and future intermingle in
a vision of vast, fulminating
upheaval. And all this has the
title LADOMIR-a combination of
harmony, living creature and
the universe, a title which is
a complete antithesis of the
actual content of the work. I
would define it as a precise
vision of the 20th century that
is in many different levels
evolving in front of us. One
should just look carefully into
the histories of wars that have
happened and are still going on
in our century, and from there
on everything becomes very
simple and transparent. The
thesis is that this century is
in a constant state of global
warfare which goes on many
different and often
unidentifiable levels. Some of
us and you have experienced
the war we are used or
accustomed to identify, while
p.e. almost everybody
participates as a soldier in
the global war of capital and
this dichotomy that we everyday
live, this constant state of
psychic violence and pressure
is precisely identified and
described in LADOMIR.
Hlebnikov’s influence and
coding for understanding is
available of course also
elsewhere in his writings and
let me now quote from a
manifesto he wrote in 1916:
People of Earth, hear this! The
human brain until now has been
hopping around on three legs
(the three axes of location!)
We intend to refurrow the human
brain and to give this puppy
dog a fourth leg-namely the
axis of time! People from the
past were no smarter than us;
they thought the sails of
government could be constructed
only for the axes of space. But
now we appear, wrapped in a
cloak of nothing but victories,
and begin to build a union of
youth with its sail tied to the
axis of time, and we warn you
in advance that we work on a
scale bigger than Cheops and
our task is bold, majestic and
uncompromising. We are
uncompromising carpenters, and
once again we throw ourselves
and our names into the boiling
kettles of unprecedented
projects.
and he continues and ends LET
THE MILKY WAY BE SPLIT INTO THE
MILKY WAY OF INVENTOR_EXPLORERS
AND INVESTORS_EXPLOITERS.
Raise high the winged sails of
time, you government of young
people, now comes the second
time we raid the flame of the
investor/exploiters. The
investor/exploiters in snarling
packs have always slunk behind
the inventor/explorers, now the
inventor/explorers drive the
investor/exploiters away.
Every industry of present day
planet earth - from the point
of view and in the language and
style of the
investor/exploiters themselves
- is a “steal” from the first
inventor/explorer: Gauss. He
founded the study of lightning.
Yet while he was alive he
didn’t even get 150 rubles a
year from his scientific work.
Your memorials and laudatory
articles try to justify the
glee you feel at stealing him
totally blind. And to pacify
the rumblings of your
conscience (which is
suspiciously located in your
vermiform appendix). Your
supposed idols - Puskin and
Lermontov - met their deaths at
your hands in a field at the
edge of town like rabid dogs.
You sent Lobachevsky to be a
parochial school teacher.
Mongolfier would up in a
madhouse. And what about us?
The militant vanguard of the
inventor/explorers? This is why
inventor/explorers, in full
consciousness of their
particular nature, their
different way of life and their
special mission, separate
themselves from the investor
exploiters in order to form an
independent government of time
and put up a line of iron bars
between ourselves and them. The
future will decide who winds up
in the zoo, inventor/explorers
or investor/exploiters, who
winds up chomping at the iron
bars.
Well, this was 1916, and today
we approximately know how’s
eating the iron bars more often
and the world is a different
place from then, but the laws
he talks about remained the
same and stay in place.
Hlebnikov put an enormous
emphasis on the understanding
and developing of the senses of
the temporal dimension.
Temporal dimension as an
alternative to the Euclidean
spatial world we live in. He
did this very mathematically,
with a lot of calculations
about the consequence of
historical events. He divided
history into precise rhythmical
patterns, sometimes made little
mistakes and corrections, but
usually his theory of history
rhythms holds. Time wins over
space, and since history is
decodable looking back, future
should be as well. Hlebnikov
predicted the 1917 revolution
exactly with his calculations,
and has proved many rhythmical
sequences in important
historical events. With this he
has also foreseen, that the
construction of time will have
global impacts, that time
division is going to be the
activity in which roles and
elements of power are going to
be distributed. Globalisation
on all levels which Hlebnikov
talks about has occurred, large
sums of capital are invisibly,
abstractly moved through
networks, through a space-time
continuum which is one of the
centers of world power. Maybe
there’s no central record of
them, but maybe, as we will see
later there could be one.
People are moved at high speeds
with the use of modern
transportation, the same goes
for goods. Everything is in a
floating, flying phase, with
the occasional time stop at
different destinations. The
empire of space has been
overcome in the late 20.
century and it seems we are
definitely living in the period
of the time-dimension, which
has in a certain sense become
the central point of our lives.
We are constantly defined by
time, timetables, dates, our
lives are planned, the time
stamp of our computer messages,
our electronic identifications
place us in the abstract and
immaterial space of the
networks. This abstractization
and dematerialisation has been
widely discussed lately,
especially by debates around
the work of Virilio,
Baudrilliard and their
disciples, I just want to
stress, that the dimension of
time has become central to the
late 20th century social and
economical developments and the
despatialisation seems to be
one of the most common
processes in the contemporary
first world, or so it seems.
This illusionary process has
forced individuals and larger
social entities to live in
time rather than to experience
and master space as they were
used to in the past. Space has
in the first world lost it’s
place in consciousness over
time and with this loss, a loss
of orientation senses occurred
too. A loss that has never
occurred to the centers of
power. And since the space-
time sense is not embedded into
our culture and our way of
life, and is still a skill to
be learned or at least
understood, the individual has
been left in a floating
position without a real sense
of exact orientation and
identification capabilities.
The mesmerizing super-speed of
the world around him disables
him psychically and also
politically. The time island
is suddenly enough, the
subconscious feels it found a
time territory upon which it
can rely and since it’s
qualities are so abstract and
the energy needed to live it
in this suspended position so
minimal it can stay there for a
very long period without any
impact on the space-time
reality, where it is all
actually happening. A complete
numbing of higher senses, a
splendid isolation, total
controllability has occurred
through this space to time
shift. But we don’t need to
look far to realize, that
battles for space are
continuing, even raging.
Bosnia, Africa, Chechnya,
Northern Ireland, Baskia,
Indonesia, Cambodia,
Afghanistan, Cashmere, Israel,
Palestine, Syria, Lebanon all
this territories are in
constant state of war, a war
for space and capital, the time
dimension there serves only as
an orientative designator of
achieved and non achieved
goals. On the other hand the
movement of capital especially
in the first world makes us
feel an believe that the space
battles don’t exist anymore,
that everything is smooth and
fluid. But as we will see
later, this smoothness and
fluidity has, besides it’s very
obvious spatial material
consequences also a traceable
path, which we can decode and
observe, learn from it, try to
find the concealment, or maybe
just confirm it’s emanations in
the space-time realm, the realm
of the real.
For overcoming this situation,
this illusion of
controllability and safety of
the immaterial cushion of time,
one must use strategies similar
to those of your opponent. The
time realm as Hlebnikov speaks
about it has been mastered by
the investor/exploiters, while
potential inventor/explorers
serve the first group or don’t
realize they’re living in a nil
dimension, totally controlled
from outside. The loss of space
orientation is confirmed in one
of the most notable cultural
aspects of the first world,
which is the leisure industry,
our holidays. This industry
created itself through
processes of disorientation and
lost spatial paradigms and
serves as an artificial
substitute to the needed and
real mastering of space-time.
There’s millions of first world
explorers going to explore the
unknown territories every year
in organized groups, with a
defined view, with a limited
time scope. They are brought to
rediscover the already
colonized, discovered,
changed....they are discovering
prepared reality, their
contacts with the cultures
where they are placed are
economical, they’re assuming
the role of
investors/exploiters. The
mutation is complete and roles
intangibly changed.
Makrolab was created as a
laboratory, as a set of tools,
as a machine to try overcome
this situation.
First we must note that
Makrolab always defines the
space where it is set, it
needs the concrete and very
material dimension of space for
it’s existence. By defining
it’s material territory it
intervenes in concrete reality,
which is by definition a
political gesture. This kind
of spatial intervention,
together with the main
activities of the lab define a
challenging territory which
start a relation with the realm
of the spectacle as we know
it. Guy Debord in his report
on the construction of
situations said: “Our central
idea is that of the
construction of situations,
that is to say, the concrete
construction of momentary
ambiance of life and their
transformation into a superior
passional quality. We must
develop a methodical
intervention based on the
complex factors of two
components in perpetual
interaction: the material
environment of life and the
comportment which it gives rise
to and which radically
transforms it.” Navigation
and a sense of precise spatial
orientation are needed for this
together with a precise sense
for time and concrete political
space-time. Definitely more
skills than the today’s TIME
BASED individual is accustomed
to. Makrolab is a declarative
position outside of the
spectacle, also outside of
society (I stress the wording
declarative) and is designed as
a closed and isolated space-
time, which will in it’s inner
logic and structure function as
a communication center and
reflective tool. But,
decoratively in isolation, set
in a specifying setting, where
it communicates with the world
only through mediators, be it
technological or social
interfaces. The thesis is that
only this kind of position,
which is declaratively isolated
and enables a thorough
communication between a limited
number of individuals can
create a code for the evolution
of social relations and once
again overcome the time only
paradigm. The thesis is that
individuals in a restricted,
intensive isolation can produce
more evolutionary code than
large social movements of great
geographical and political
extent. Makrolab was created to
test this thesis. A creative
individual in communication and
interaction with other creative
individuals has the goal to
develop an apparatus of
individual reflection of a
wider social and political
state of affairs and it’s
subsequent transformation. One
should not understand this as a
return to individuality in the
intimacy, sense, which is by
definition a closed psychic
entity, but as setting up of
the state of isolation, which
acknowledges the alienation and
communication with similar
alienation around it as it’s
main method of operation.
Alienation is a fact that must
be used to our advantage. This
method is different from the
setting up of new societies,
but recognizes the existence
and strives towards a
definition of autonomous zones
in the wide sense of the word.
Today this kind of structure is
possible because of the
extensive technological
developments, in the 60.p.e.
other less “dangerous”
autonomies were possible.
We have set MAKROLAB for the
first time at an art
exhibition, here at documenta.
This specific context gave the
work a position which sometimes
defined it differently than
expected. Makrolab had quite an
extensive number of visitors
during the documenta and we,
who lived and worked there had
to interact with them. Because
of it’s position we had mainly
to talk to the villagers from
Lutterberg, Speele and the
Staufenberg area and to the
golfers, that were playing golf
just 30 metres from the lab.
One would immediately ask where
is the isolation here? When
choosing the position of
MAKROLAB I have come upon other
pieces of land but they were
all natural reserves, so this
one was the only suitable at
the end. We had also a
technical requirement of an
approximate line of sight
position in connection with the
video link for our daily
communication with the console
visitors here at the documenta
halle. Isolation of course, in
a communication project sounds
like a contradiction in terms,
but in the framework of the lab
the isolation was thought of
and also realized as a state of
mind and was enabled only
because of the technological
interfaces used during the
project. We had to interact
with the s.c.art public. Lovers
of art, hundreds of them, who
were, mainly asking the same
question: Is this art?
(the which was a privilege and
opportunity at the same time
and had to answer mainly Of
course the frame of the an art
event gave MAKROLAB hundreds of
them, who were, mainly asking
the)
For this kind of investigative
zeal we had two answers: It is
when our lawyers advise us
so...(the so called American
version) and Since we are set
in the context of an art
exhibition this definitely is
art, yes, you could call it
also so (the more lengthy,
conceptual European version).
Both are evading the question
in a sense, and I hope that I
will have the opportunity to
evade it later on too, fact is
that MAKROLAB, with it’s shift
from the center of the
exhibition produced a lot of
questions of the kind.
Isolation and mediation
suddenly started to have real
consequences especially in the
communication with the art
event itself. I, rather than
the very wide and socially
precisely placed term art, or
even artistic activity, use the
term TIME PROGRESSING ACTIVITY
for MAKROLAB, precisely because
the situation that we have
created posed serious
contextualisation questions. As
explained before, we have
created an interface here in
the physical space of
documenta, that would enable
the visitors to contact the lab
and communicate with it’s crew.
The context of the spectacle
around it proved this task
almost impossible and although
we had up to 50 calls a day,
the content of them was usually
very poor, brief alienated
communication, actually, just
affirmation of communicating
capabilities. There were few
contacts that were on the other
hand very valuable and will
have a continuation in the
future and we could say, that
the console was set up for them
to happen, but the contemporary
art exhibition nomad usually
has 3-5 minutes maximum for
each work, and the console
demands more. Here I could
again quote Debord, for the
last time today - maybe: “The
construction of situation
begins on the ruins of the
modern spectacle. It is easy to
see to what extent the very
principle of the spectacle -
nonintervention - is linked to
the alienation of the old
world. Conversely, the most
pertinent revolutionary
experiments in culture have
sought to break the spectator’s
psychological identification
with the hero so as to draw him
into activity by provoking his
capacities to revolutionize his
own life. The situation is thus
made to be lived by it’s
constructors. The role played
by a merely bit part playing
pubic must constantly diminish,
while the role played by those
who cannot be called actors but
in a new sense of term,
“livers” must steadily
increase.”
What is Makrolab? I defined it
as a closed and
isolated/insulated environment
which in it’s inner structure,
the structure of the micro-
social events functions as a
communication center and a
reflective tool-machine. But it
is declaratively set into
isolation a position in which
it is supposed to observe the
world only through mediators.
The thesis is, that only this
kind of isolated position can
produce the code for the
evolution of social relations.
So, isolated individuals in a
restricted space, extended time
and intensive communication
produce more evolutionary codes
in social relations than wide
scope political and
geographical social movements.
What are the strategies or
methods to achieve this? In one
of the earlier program texts
about this project entitled
SCIENCE OF THE INDIVIDUAL _
MAPPING OF LADOMIR I wrote:
The redefinition of social and
individual terms and the
subsequent materialization of
their redefined status in new
evolutionary conditions,
demands appropriate physical,
psychic and material
preparation. PROJEKT ATOL,
which is a non profit
organization I’ve set up in
Slovenia in 1993, tries to
enable the creative
communication of individual
forces to converge into a
scientific psychic entity that
would in its last stage result
in the creation of an
insulated/isolated environment,
space/time.
Insulation/isolation is
understood as a vehicle to
achieve independence from and
reflection of the actual
entropic social conditions. The
environment will serve as a
development surface for the
further formation of new,
creative social, spirtual and
economic relation, based solely
on integral individuality.
LADOMIR_faktura is the first
training stage of the project
pointing the way towards the
achievement of final PROJEKT
ATOL goals:
- communication will be
developed through
technological, representational
and pedagogical systems
- insulation-isolation autonomy
will be achieved through
energy/material and space time
autonomy
- the dematerialisation of
logos will be replaced by the
logoisation of the material
- methods for the augmentation
of maximum sensory awareness
and sensory connection will be
used throughout the work.
This was the first program
text, plan for MAKROLAB and
this is how the initial scheme
looked like. ‘(scheme) On the
scheme we have the metatextual
basis of the work, comprising
of avant-garde strategies,
isolation insulation
strategies, war, communication
strategies, sexuality and
urbanity, Hlebnikov laws of
time and real history time.
Sort of a life setting basis in
a way if I look at it now,
trying to include everything
that my life in the first
world at the late 20th century
should be consisted of. This
scheme later developed into
different works, the urban
element being taken over by my
UCOG-144, or URBAN COLONISATION
AND ORIENTATION GEAR 144
project, which addresses the
rediscovery and recolonisation
of individual urban space
through the use of satellite
based navigation technology and
data transfer communication.
The UCOG-144 proceedings with a
lot of situationist texts and
technical information are
available from PROJEKT ATOL and
you can later talk with me or
drop an e_mail message and I
will send them to you. It is an
ongoing project, same as
MAKROLAB, with no definite end
in sight.
If we return to MAKROLAB we
will see that in the initial
scheme some of the units
present there are also part of
the lab as it was developed for
the first time in 1997.
The energy unit and receiving
unit are there, now called
energy suite and communications
suite. The living quarters are
there, the system unit, which
was envisioned as a central
processing unit is in a way
also there, together with audio
electronics, video a.s.o. One
of the elements still missing
in this phase is the heat unit,
with micro-ecosystems for food
growth and the light unit with
position and environmental
lighting. So basically, our
autonomy in this phase was not
complete.
Let’s now look at the lab as it
was constructed in 1997, to be
first placed in the framework
of documenta. The units the lab
consists of are the following:
- communications suite
- living quarters
- hygiene systems
- micro-ecosystems (not
realized)
- control console
- energy module
- storage
- telemetry
- sensors
The communications suite is
consisted of a rack with three
working positions and equipment
ranging from a HF receiver and
transmitter unit and antenna,
SCPC satellite audio receivers,
a general coverage
communications receiver, 3 2m
FM radio stations, a satellite
video signals receiver, a
mircowave video transmitter and
receiver, decoders and decoding
software, computers to
satellite antennae of all
kinds, L-band, C-band and KU-
band ranges. This suite enabled
the communications part of the
project, which concentrated on
the mapping of
telecommunications signals of
all sorts. From HF modulations
at slow speeds, to high speed
fax communications running over
satellite networks., to packet
radio communications. One of
the important parts of this
monitoring is also weather
systems monitoring and
meteorological observations and
these are due to expand in the
next phases of the project.
Here the sensors play their
part and also the telemetry
data, which was sent via packet
radio a few times during our
stay in the lab. The
communications project was as I
said before in the center of
the labs activities for the
first 55 days of the run and I
will return to a more detailed
proceedings description later.
The living quarters are
comprised of a simple kitchen
and storage facility and were a
make shift solution because of
the lack of funds for a more
complete development, which
applies also to the micro-
ecosystems project for growth
of autonomous food, so there’s
not much to say about this at
the moment, besides that we’re
not really happy we didn’t
manage to work it out in this
phase. The energy suite is
comprised of a 600W + 1200W
peak power photovoltaic solar
power system, together with a
propane gas back up generator
and was and is functioning I
would say with a 85%
reliability. There are some
minor problems with it, but
nothing very serious, although
we sometimes ran on less than
60% power and had 9 complete
systems shutdowns because of
low power and generator
starting failures. The control
console suite of the project is
located here in the documenta
halle, and is a system that
consists of a microwave video
link receiver and monitor, an
internet connection and an
extensive archive of the
initial phases of the project
on micro-film, where you can
find exact plans, letters,
agreements, metatextual
material, a very extensive
Hlebnikov database and quite an
extensive Projekt Atol database
and the initial program text of
the lab: THAT’S WHY WE BUILT
MAKROLAB in 13 different
languages. Of course there’s
also the very difficult to use
radiotelephone for the
communication with the lab
One of the main interfaces of
the MAKROLAB during the
documenta is and will be in the
future the MAKROLAB website
which I will tour for you now
very quickly, and the
interested can later browse
through it from home. The
address is:
http://makrolab.ljudmila.org...
......and this is how it looks
like....
The internet was as it could be
expected one of the main
interfaces of the project, and
the lab got approximately 30
messages a day from the
console, usually the ID forms I
showed you to which we replied
with a form letter confirming
the MISSED contact usually.
Some of the replies were then
continuing, some of this
communications are still going
on. As you could see, the
internet also served as a kind
of presentation platform of the
project, with all kinds of
data, from finances to future
projections. This internet
presence will remain in place
also during project pauses
between two settings up of the
lab.
One of the more invisible units
of the project is the
MICRO_SOCIAL environment that
has developed and has a lot to
do with the conscious isolation
effort. You can imagine that it
is rather peculiar to live and
work in such a restricted space
for quite and extensive period
of time. The reflection of this
moments is not finished yet and
in my current experience has to
be dealt with after few
different settings of the
project and the documenta
context was probably not the
most ideal for this element,
since we had so many visits all
the time.
COMMUNICATIONS
Let me know briefly go to the
communications suite and the
activities going on in the
communications part of the
project and the projections and
future plans developed from
there. In one of my texts
preceding MAKROLAB in 1995 I
wrote: In the undefined
historical context of the
development of science and
industry the arts have the role
of the servant. They feed on
the remains left of the table
of systems that are more
powerful and have more impact
on reality. The wider use of
technological tools in the 20.
century, is the result of the
partnership between science and
industry, which is on the first
level achieved through military
applications, through the art
of war making and on the second
level, when it’s
materialisations have been
tried out and developed in wars
and war contexts it slowly
integrates into the so called
civil economic sphere and at at
last, on the third level into
art.
This is the case of the
computer, the internet, the
imaging systems, almost
everything that can come to
your mind. Telecommunications
are also a prime example for
this, with military
superpowers, the US, NATO and
RUSSIA having their OWN,
proprietary global satellite
based secure telecommunications
systems already from the
beginning of the 70’s on. Art
and progressive social contexts
are lagging in this sphere, and
with the exception of the
internet, which because of it’s
decentralized nature (is it
really I’m asking myself after
the shutdowns occurred in the
past) cannot compete or
challenge their more powerful
brothers. One of the possible
strategies here is to study the
tools of your enemy, to develop
concrete strategies of
resistance, which are very
complex and might be seen as
politically totally incorrect.
A new state of awareness must
be developed in connection with
the completely changed and now
invisible power structures
which at this very moment shape
the state of the world. Here I
will repeat one of my earlier
suggestions, which I see as a
viable, but hardy realizable
alternative: Build a global
independent satellite
telecommunications network, an
alternative to the Intelsat
system and the new low orbit
commercial systems that are
slowly becoming reality. A
multinational interdisciplinary
organizational effort would
develop tactics and strategies
and confront the global
capitalist and state
multinational organisms with
organized resistance and
provide an alternative, non
commercially based means of
reliable and secure telecom.
All you need is to place,
control and run four
satellites. I repeat this
suggestion because I think we
should start thinking about it,
since there’s no reliable
communication otherwise, as we
we have learned in the past
two years, this has appeared in
Covert Action Quarterly and
Nicky Hager wrote a book about
it, a very sophisticated
military and state intelligence
gathering systems exists, set
up by the US and it’s allies
under the secret UKUSA
agreement. The states
collaborating under this
agreement are the US, NEW
ZEALAND; AUSTRALIA; GREAT
BRITAIN AND CANADA with their
respective intelligence
agencies. Under the UKUSA
agreement, a telecommunications
gathering and monitoring system
was set up named ECHELON. Now,
we know that spying of all
kinds has been going on for
centuries and will continue,
but apparently the ECHELON
network has something special
to offer. It basically listens
and records everything running
via the large Intelsat
satellites, whose new
generation can carry 90.000
simultaneous phone calls,
together with e_mail messages,
faxes, telex. This is done by
using supercomputers and voice
and data recognition software
protocols. So, we the
inhabitants of this planet, get
to know in the nineties, that
everything we say on the phone,
whatever that is is being
monitored and recorded for
security purposes of these
countries and their allies.
Search engines that the ECHELON
system uses search for
keywords, such as bomb, attack,
or maybe freedom, David,
documenta, whatever the
operator on the terminal
wishes. You don’t need to be a
nuclear scientist to understand
the implications the usage of
such a system can have and
there have been recorded abuses
for political purposes of
intelligence gathering of all
kinds, and it seems that now
there’s a system which makes
everything easier - for them. I
don’t need to say that the
existence of this system is
still not recognized and that
the whole affair is highly
illegal even in jurisdictions
of the UKUSA agreement
signatory countries. There are
no warrants whatsoever for any
of the listening procedures
going on and there’s no
publicly available record of
monitoring posts although one
of the possible locations is
also here in Germany, Bad
Aibling.
The modern encryption
technologies would disable or
tamper such a system but
unfortunately, they are not
readily available and there are
new agreements p.e. between the
EU and the US to make the
encryption keys available to
governments. Basically, they
would let us encrypt our
messages, but hey, in any case,
leave me the key...so I can
read it. In any case of
course....we are used to such
cynical attitude from our
governments, but we are
definitely not used to large
data, voice, e_mail and fax
collection baskets which are
being searched by programs for
keywords. Our private
conversations....
My colleague Brian Springer,
who worked at the Makrolab from
June 25 to August 6 has written
a short note about our
activities and his role in
them, together with a proposal,
with which I will end today’s
talk:
NOTES FROM THE CORPORATE UNDERGROUND
This summer I was a guest researcher at
Projekt Atol’s Makrolab. During
the course of my residency at Markolab
we studied alternative
information collection, display and
distribution systems. I say
alternative because we approached the
sky hovering over Lutterburg as a
living library of weather systems,
bird migration patterns, and
telecommunication infrastructure. My
focus was on telecommunications and
satellite systems in particular. Armed
with satellite dishes, radios,
and wires we approached the sky as one
large unmarked library with
voice, video and data communication
pouring from its shelves. In many
cases the texts intercepted from the
various satellites had no page
numbers, index, or titles. In case you
are wondering, such wireless
library investigations or interceptions
are totally legal under German
telecommunications laws as long as the
communications are not shared
with a third party, such as an audience
at an arts event. So I’m not
going to name the names of the authors
of our "readings" but we did
stumble across some interesting texts,
such as corporate officials
discussing the impending demise of the
citizens of Freetown in Sierra
Leone. These authors detailed the role
of the diamonds trade in the
conflict and candidly revealed the
political mechanisms in the UN which
were and currently still are blocking
the citizens’ evacuation. They
wondered if the mercenary assault was
immediate or if they would wait
for the rainy season to wash out the
roads and help them cut off and
starve Freetown. The authors claimed
the UN official in charge would
not order an evacuation before the
rains started for purely political
reasons. Had the swallows perched on
Makrolab migrated from this
conflict? Would the clouds moving
overhead become a part of this
assault? As stated before, legally I
cannot say. At Makrolab we were
digital witnesses cloaked in silence.
Instead of these clouds I could talk
about practical satellite
receptions techniques. Or I could talk
about the difficulties of using a
global communications system as a
medium for appropriation. Or the need
for artistic strategies when dealing
with an un-indexed and endless
library which you cannot get your arms
around. Or the dangers and
miracles of this type of open embrace.
But for me the most important
question is, can there be a way to
publicly disclose the details of the
cloud over Sierra Leone? Is there a way
to legally hi-jack the
information super hi-way for
journalistic and artistic purposes?
Does
the model of abduction of privacy by
the security and corporate state
provide any clues?
It has been several weeks since I have
left the Makrolab and returned to
my home in the US. Near where I live is
the oldest psychic community in
the US. This community was started in
the mid 1800s by a number of women
who professed the ability to speak to
the spirits, to the dead. At this
time it was uncommon in the US for a
woman to speak in public. In the
1800s US women were often considered to
be property of their husbands,
and they did not have the right to
vote. But in this community they were
encouraged to speak out because they
were speaking someone else’s mind.
They were vocalizing the thoughts of
spirits, not their own thoughts.
Empowered by the ability to speak in
public these early spiritualists
soon began publicly stating their own
thoughts about the rules of
society. They became part of the early
women rights movement which
eventually legally transformed women in
the US from property into
citizens with the right to vote.
I’m not really overwhelmed with the
spectacle power of spiritualism,
but I do find it an interesting method
of alternative information
collection and display. Recently I had
a spiritual reading from a
psychic at this community. The medium
said she saw a spirit who was
presenting a number of pieces of pipe,
some curved and bent to specific
angles. I told her I had a relative who
recently had died who had made
his living as a pipe fitter. She said
that this person was showing her
these pieces of pipe because it was his
craft to make them all fit
together. He was telling her that the
project I was working on is also
all in pieces and that I should not
worry about where the pipe was
going, but that I should just keep
trying to put the different pieces
together. So in that spirit of things
that don’t quite fit, these are
some notes from the corporate
underground--one possible method for
re-defining public and private in order
to explore the corporate body.
In the US the latest incarnation of
virtual reality or the virtual body
really started in the late 1800s when
the corporation was given eternal
life and its body was inscribed with
the rights of the individual.
Before this time corporations were
heavily regulated and in some states
simply illegal. Corporations could
only live for a specific period of
time, say 10 to 20 years, in order to
fulfill a project such as building
a road, bridge or building. When the
project was complete the
corporation in many cases had to die.
It had to dissolve and its assets
were liquidated and distributed to its
share holders. Majority and
minority shareholders had equal voting
rights. . One corporation could
not buy another one. Corporate mergers
where illegal. Their profits were
limited and capped. Corporate owners
were more often held liable for
harm and debt than a non-corporate
entity. Profit was not seen as the
corporation’s private property, but
instead was still part of a public
system of power.
Following the Civil War the cyber-
infant was born when the US Supreme
Court ruled that a private corporation
was in fact a "natural person"
under the US Constitution. The
Constitutional amendments which were
ratified some 20 years earlier to
protect the rights of freed slaves
were now applied to the corporate body,
which could now not be killed
since it had a right to the life and
liberty. Like the former slaves the
corporations were also given the right
to own property. Now their profit
was their private property.
Corporations transformed into a body
able to
participate in elections and the
process of self-governance before the
former slaves and indigenous peoples,
before the female spiritualists at
the psychic community, and before most
people without property.
Internationally this type of corporate
`legal person' included the
`private company' of English commercial
law, and the `Gesellschaft mit
beschrnkter Haftung' of German
commercial law.
Endowed with the legal skeleton of a
natural person this new virtual
body began its pursuit of life, liberty
and property by merging with
other bodies through corporate
takeovers and other contortions of
capital with which you are probably all
too familiar. One of the most
important mutations of this new body
was its ability to be at two places
at once--an internal reproduction which
creates a parallel body,
transnationalism, the flesh of the new
telecommunications
infrastructure.
So one question Projekt Atol has been
asking itself is, is there a way
to inscribe the rights of the
individual on its corporate body? Is
there
a way to create a parallel version of
itself as a transnational in order
to open the doors of this wireless
library to the public in order to
reveal the hidden texts of the various
corporate bodies surging through
the network? Wouldn’t the existence of
such a living library in and of
itself, as a structural act, a
corporation intervention, be as
important
as any books on its shelf?
Action on the construction of this
library is proceeding along a path
dealing with the corporation and
individual rights. We have targeted
several host countries which have the
necessary legal foundation for
supporting the weight of this project.
Our target countries have a
telecommunications policy which allows
individuals to listen to or tap
certain types of wireless
communications networks. These
interceptions
are legal as long as the person does
not share this information with
someone else, a look-but-don’t-tell
model. We are currently attempting
to graft this law, the individual’s
right to listen, onto our new
corporation in same way the rights of a
natural person can be grafted
onto the corporate body. Once this
inscription has taken place the
corporation will be able to share the
communications it has intercepted,
internally, within its body of
employees, directors, and most
importantly its stock-holders--a sort
of corporate underground.
Of course these texts, journalistic
investigations and artworks will
not be shared with a third party, such
as an audience at an art event.
That would be illegal. To enter this
library you will have to rethink
notions of artist and artwork, public
and private, owner and investor.
The pubic will be invited to become a
part of this new private entity by
purchasing stock. As stock-holders they
will have access to the private
internal artifacts of the corporation.
Currently we envision selling
about 5000 shares of stock for about 10
DM per share, limit one share
per person. If you are interested in
becoming a member of this
enterprise you should visit the
Makrolab web site and send us an email.
You will be notified about our first
public stock offering and the
implications of your investment.
END OF NOTES
So much from Brian, and any
interested stock-holders can of
course visit the website or
apply directly with me.
I should end by proposing a
plan for the future of the
Makrolab. As I told you before,
we plan to move the platform to
other concrete physical
territories and proceed with
different fields of research.
The telecommunications project
will live also outside of
Makrolab in the future and I
hope for some concrete
proceedings from it already
early next year. In the future,
the weather systems research
and bird migration research
will take a more active role,
with the communications mapping
project kept as an ongoing
multi-year activity.
Bird migration as a cross-
border strategy was very
interesting for us already from
the beginning and I would like
to proceed with it in a more
thorough fashion, not just
solely as an interest.
Also the colonization territory
mapping system, the observation
of the micro-social and micro-
topological environment in
which the lab is set will be
started. MAKROLAB will function
in many emanations, and until the
next physical one, you can follow
the research on the net and
written publications. On September
11 or 12 we will also organize a
final all night sound research event,
that will end phase III. of the project
here at documenta.
Thank you very much, now we can
proceed with the questions.
31/8/97