Global information technologies are producing new territorial principles of order, a new logic of space, and constituting forms of transnational power and sovereignty. Extra-territoriality describes a logic of space which is defined outside of the state and its law systems, but is yet controlled by the referring state power and sovereignty. Extra-territorialities are zones in which legal status can be suspended, in which citizenship is invalidated, in which the assumption of innocence is thrown away, in which represen-tation is denied. naked bandit/here, not here/white sovereign is about the dilemma of being excluded from the legal body and included in a extra-territorial non-location (inclusive exclusion):
the global sovereign (white sovereign) defines persons as 'here' and, at the same moment, 'elsewhere,' not here, no longer on the territory of the nation state, and thus banned, stripped off from the legal framework which the nation state guarantees ('naked bandit').
'Naked bandits' are here and not here: detained in limbo, in extra-territorial spheres without a form of representation which can be directly accessed and publicly enacted.
Knowbotic Research, kr+cf, unfolds an experimental assemblage which translates/transcodes these non-public coded forms of inclusive exclusions of persons without a legal and political representation ('naked bandits') into different codes and levels of visibility and public accessibility:
- level 1 transcodes the logic of extra?territoriality into a spatial experiential model of floating sovereign power represented by an autonomous indoor flying robot attacking floating helium balloons and visitors;
- level 2 translates the legal codes of the inclusive exclusions into Unix-code processes in order to transgress experimentally its paradoxical logic;
- level 3 transcodes the constructed non-public sphere into an open scenario, giving the audience a voice to address the white sovereign-naked bandit relationship.

Tokio, May 2005




Graffiti by hitotzuki



St. Gallen, January 2005
Yannick Fournier



Orléeans, September 2004












Rotterdam, September 2004





inside Witte de With































installation




2004- 2005



krcf


- knowbotic research 2004
exhibition version in Orléans:
Prof. Dario Floreano, Jean-Christophe Zufferey; Autonomous Systems Laboratory (http://asl.epfl.ch), Institute of Systems Engineering, Swiss Federal Institute of Technology (EPFL), Lausanne, Switzerland
- Peter Sandbichler, collaboration on installation


University of Art and Design Zurich, HGKZ



January 2005


In Zusammenarbeit mit dem Bundesamt für Kultur/sitemapping.ch sowie der Basler Institution [plug.in] präsentiert die Neue Kunst Halle St. Gallen


April 2005

InterCommunication Center [ICC] 2005
Curator: Yukiko Shikata



October 2004

Orléans, Frankreich;


Septemer 2004

Witte de With, Rotterdam,NL, Curator: Andreas Broekmann

May 2004

Taipeh, Taiwan;,


knowbotics own little publication:

download the pdf file.



the script was originally written for the jubilee-publication Peter Weibel, published at the Merve Verlag Berlin, 2004

Mapping New Territories Schweizer Medienkunst International, Art Multimédia Suisse International, Swiss Media Art International Mai 2005, 280 Seiten, 20 Farbabbildungen, broschiert, deutsch/englisch/französisch ISBN: 3-85616-238-0 SFr. 49,00 / Euro 32,00

‹Mapping New Territories› nimmt eine Standortbestimmung der Schweizer Medienkunst vor. Essays von Yvonne Volkart, Villoe Huszai, Maria Stergiou und anderen zeigen die Geschichte und Gegenwart der schweizerischen Medienkunst vor einem internationalen Horizont. Zudem präsentiert die Publikation die gleichnamige Ausstellung und das Symposium, welche Anfang 2005 in der Neue Kunsthalle St. Gallen stattfinden: Text und Bild, aber auch multimediale Beiträge auf einer CD-ROM, geben Einblick in die neuen Projekte von Marlene McCarthy, n3krozoft mord und Knowbotic Research sowie den Online-TV-Kanal des Netzkunstpioniers Reinhard Storz. Ein liebevoll edierter Wegweiser durch die Terra incognita der Medienkunst. (Tages Anzeiger)